Rumors about the collaborative project began emerging in March 2018 when the couple announced their On the Run II Tour. However, since they also worked on their respective albums 4:44 and Lemonade, and Beyoncé's music progressed more rapidly, the project was temporarily stopped. Plans about a joint album by the couple were announced by Jay-Z during an interview with The New York Times in 2017 when he said that they used "art almost like a therapy session" to create new music. View of Paris La Défense Arena (former named UArena), where the album was partially recorded. At the 61st Annual Grammy Awards, the album won for Best Urban Contemporary Album, and was nominated Best Music Video for " Apeshit" and Best R&B Performance for "Summer". In its first week, Everything Is Love debuted at number two on the US Billboard 200, earning 123,000 album-equivalent units. It was originally exclusive to the music distribution service Tidal, before given a wider release on June 18, 2018. The album was not made public until its release was announced by Beyoncé and Jay-Z while onstage at a London concert for their On the Run II Tour and later through their social media accounts. The hip hop and R&B album explores themes of romantic love, fame, wealth, and black pride.
Additional vocalists recorded for the album include Williams, Quavo, Offset, and Ty Dolla Sign, among others. Beyoncé and Jay-Z produced the album alongside a variety of collaborators, including Cool & Dre, Boi-1da, and Pharrell Williams. It was released on June 16, 2018, by Parkwood Entertainment, Sony Music Entertainment, S.C Enterprises, and Roc Nation. Still, the first half is good enough to make Dangerously in Love one of the best mainstream urban R&B records released in 2003, and makes a strong case that Knowles might be better off fulfilling this destiny instead of reuniting with Destiny.Everything Is Love (stylized in all caps) is a collaborative studio album by American duo The Carters (spouses Beyoncé Knowles-Carter and Shawn "Jay-Z" Carter). About halfway through, around the astrological ode “Signs” with Missy Elliott, it starts crawling through its ballads and, while listenable, it’s not as exciting as the first part of the record. It’s just too bad that momentum is not sustained throughout the rest of the record.
These are the moments when Dangerously in Love not only works, but sounds like Knowles has fulfilled her potential and risen to the top of the pack of contemporary R&B divas. Knowles doesn’t save this voice just for the ballads - she sounds assured and sexy on the dance numbers, particularly when she has a male counterpart, as on the deliriously catchy “Crazy in Love” with her man Jay-Z or on “Baby Boy” with 2003′s dancehall superstar, Sean Paul.
(Mind you, she’s not pregnant or married, she’s just planning ahead, although she gets tripped up in her wishes since there’s “no one else like my daddy.”) Although these are a little formless - and perhaps would have been more digestible if spread throughout the record - they are impeccably produced and showcase Knowles’ new relaxed and smooth delivery, which is a most welcome development after the overworked Survivor. Sometimes that ease can translate into carelessness (at least with regard to the final stretch of the album), with a prolonged sequence of ballads that get stuck in their own treacle, capped off by the unbearably mawkish closer, “Gift from Virgo,” where she wishes her unborn child and her husband to be like her daddy. The Knowles clan - Beyoncé and her father Mathew, that is (regrettably, Harry Knowles of “Ain’t It Cool” is no relation) - were apparently aware of these two pitfalls since they pull off a nifty trick of making her debut album, Dangerously in Love, appeal to a broad audience while making it sound relatively easy. Plus, Survivor often sounded labored, as Knowles struggled to sound real.
Still, a singer takes a risk when going solo, as there’s no guarantee that her/his star will still shine as bright when there’s nobody to reflect upon. So it was a natural step for her to step into the diva spotlight with a solo album in 2003, particularly since it followed on the heels of her co-starring role in Mike Myers’ 2002 comedy hit, Austin Powers in Goldmember. Beyoncé Knowles was always presented as the star of Destiny’s Child - which probably shouldn’t be a big surprise since her father managed the group.
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